Brussels-based artist Marjolijn Dijkman’s practice addresses the human desire for knowledge, combining speculation with science in works that seem sci-fi in form. In reflecting on how institutionalised systems are relied on to assert the politics of assumed knowledge, her work proposes alternate knowledge systems. Her projects involve history museums, scientific enquiry and forms of collective imagination, manifesting in photographic archives and films, installations and sculpture. Futurology, museology, anthropology, cosmology and ecology are all areas the artist investigates. Dijkman has had solo shows most recently at NOME Gallery, Berlin, Munchmuseet, Oslo and fig‑2 at the ICA Studio. She has also participated in numerous group exhibitions such as Contour Biennale 9, Mechelen, the 21st Biennale of Sydney and the 11th Shanghai Biennale.
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