In February 2019 a series of exercises in analogue, digital and acoustic feedback manipulations with/through a Buchla 200 synthesizer were executed at Studio 4, Elektronmusikstudion Stockholm. The documentation emerges from interactions between the synthesizer, open microphones, indeterminate processing in different programming environments, induced crashing and resampling of software and loose cable amplification. The audio file resulting from the initial analogue to digital conversion pressed into the ten unmarked 7” dubplates was obtained directly from the synthesizer output without additional processing or edits, aside from the selection for equal time on each side of the records.

[BUCHLA 200 + MACBOOK PRO13” 2008 (OSX 10.8.5) + ES-8 + INTERNAL INPUT MICROPHONE + JACK + SUPERCOLLIDER + PD [A] + MAX 7[B]]

Recorded at Studio 4, Elektronmusikstudion, Stockholm. 2019
Commissioned by Sonic Acts and Paradiso for Sonic Acts Academy. 2020
Part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.