Miodrag Gladović’s the last trace (non-intentional) grows from years of luminoacoustic research and unconventional recording, shifting attention toward the sounds that arrive by accident – errors, artefacts, unintended resonances. These fragile traces, once peripheral, begin to steer the work, altering scale, timing, and spatial perception as they surface and dissolve. What unfolds is a composition shaped as much by chance as by design, where hidden material rises quietly to the surface and redirects the whole. It is also a farewell to a chapter Gladović unofficially calls ‘Rozalia – studio for noise and silence’, closing twelve years of experimentation with a piece that listens for what was never meant to be heard.

Premiere
Sonic Acts Biennial 2026, Amsterdam