Boris Shershenkov’s AudioPuller is an experimental musical instrument inspired by TapePuller, an analogue electronic instrument and performance technique invented and used by Michel Waisvisz around 1970. AudioPuller harnesses the tangibility of analogue recording media by gesturally manipulating time and acoustic space through the tactile surface of audio tape. AudioPuller is crafted for both solo and collaborative live sound performances, rooted in found sounds, acousmatic compositions, and other pre-recorded audio materials. The instrument has a modular structure and works with different types of hand gestures. These modules can be recombined for various contexts and function as an ensemble instrument, accommodating one single tape loop or a combination of several. Shershenkov developed the instrument using a single image from the Michel Waisvisz archive as a creative prompt. AudioPuller was developed in collaboration with Tarek Atoui.

Boris Shershenkov (RU/NL) is an independent artist, researcher, PhD candidate in technical sciences, and musical instrument designer. He focuses on projects that develop new methodologies in technological and sound art, and investigates the relationship between humans and technology combining modern techniques with media archaeological research. He is active in the field of experimental music and sound art as the creator of media installations and sound performances, and as a curator of concert programs, exhibitions and educational projects. As a musician he works in the areas of live electronics and electroacoustic improvisation.

Premiere: Sonic Acts Biennial 2024 (NL)
Further presentations: BEK, 2024 (NO), Borealis 2024 (NO)
Part of Re-Imagine Europe – New Perspectives for Action. Co-funded by the European Union.
This work is available for touring.
For further enquiries, contact: info@sonicacts.com