Dismantling Dreams, Disrupted Seams
Rupert is pleased to invite you to the final exhibition of the Alternative Education Programme โ ๐น๐พ๐๐๐ถ๐๐๐๐พ๐๐ ๐น๐๐๐ถ๐๐, ๐น๐พ๐๐๐๐ ๐๐๐น ๐๐๐ถ๐๐.
๐๐น๐ฎ๐ท๐ฒ๐ท๐ฐ: 24 November 2023, 18:00
๐๐๐ฑ๐ฒ๐ซ๐ฒ๐ฝ๐ฒ๐ธ๐ท ๐ญ๐ช๐ฝ๐ฎ๐ผ: 24 Novemberโ17 December 2023
๐๐ธ๐ฌ๐ช๐ฝ๐ฒ๐ธ๐ท: Tech Zity Vilnius (Paneriลณ st. 43, Vilnius)
๐๐๐ฑ๐ฒ๐ซ๐ฒ๐ฝ๐ฒ๐ธ๐ท ๐ช๐ป๐ฝ๐ฒ๐ผ๐ฝ๐ผ:
Ella Jo Skinner, รglantine Laprie-Sentenac, Eglฤ Ruibytฤ, Kamilฤ Krasauskaitฤ, Lux Sauer, Rokas Vaiฤiulis, Steph Joyce, Will Krauland
๐ฅ๐ฒ๐ผ๐ฒ๐ฝ๐ฒ๐ท๐ฐ ๐ฑ๐ธ๐พ๐ป๐ผ:
Thursdays-Sundays at 17:00โ20:00
Entrance to the exhibition is free. Entrance to the exhibition โ pass through a metal gate, go straight ahead, turn left, go straight until you find a wooden door on your left.
๐๐๐ฑ๐ฒ๐ซ๐ฒ๐ฝ๐ฒ๐ธ๐ท ๐ฝ๐ธ๐พ๐ป๐ผ ๐๐ฒ๐ฝ๐ฑ ๐ฝ๐ฑ๐ฎ ๐น๐ป๐ธ๐ฐ๐ป๐ช๐ถ๐ถ๐ฎโ๐ผ ๐ฌ๐พ๐ป๐ช๐ฝ๐ธ๐ป:
โ 1 December, 18:00
โ 8 December, 18:00
โ 15 December, 18:00
๐๐๐ฑ๐ฒ๐ซ๐ฒ๐ฝ๐ฒ๐ธ๐ท ๐ธ๐น๐ฎ๐ท๐ฒ๐ท๐ฐ ๐น๐ป๐ธ๐ฐ๐ป๐ช๐ถ๐ถ๐ฎ:
18:00 doors
19:00 Rieko Whitfield (music performance)
19:30 4ng3lw4r3 (dj set)
20:30 exmantera (live)
21:30 Matilda (dj set)
๐น๐พ๐๐๐ถ๐๐๐๐พ๐๐ ๐น๐๐๐ถ๐๐, ๐น๐พ๐๐๐๐
๐๐๐น ๐๐๐ถ๐๐ is the final show of the 11th edition of Rupertโs Alternative Education Programme. It is the closing chapter of a six-month-long learning process dotted with workshops, lectures, studio visits, crit sessions and other creative disruptions. Loosely guided by the theme of transgressions and traversability, the programme ends at the now-disused and previously publicly inaccessible administration building of the ๐๐ฎ๐ต๐ฒ๐ณ๐ช sewing factory. Eight new site-specific installations will briefly yet intensely transform the building before its inevitable demolition. A strong metaphor and symbolic gesture, best described by the words of one of the participants Rokas Vaiฤiulis:
‘In ๐น๐พ๐๐๐ถ๐๐๐๐พ๐๐ ๐น๐๐๐ถ๐๐, ๐น๐พ๐๐๐๐
๐๐๐น ๐๐๐ถ๐๐, the distribution of the space and its creative inhabitants is established through mutual detachments. Each crevice reaches towards its own world and pitches among the separated, vacant cabinets of the spacious former sewing factoryโs bureau unit. Stretching through the three floors of the building, however, the crevices are no longer separated by the labor hierarchy or their spatial function; rather, they act as patchworks to be experienced while steering through atmospheres and dialects that echo the clusters of shared sensoriums and pursuits. Subtracted from the shades of blue-collar and the noise of fluorescent lights at maximum hum-buzz, each cabinet invites an avid peek into the seamless pockets of processes and temporal wedges, a curious call to traverse through and into the ascending and descending structures, and imagine their interdependencies according to oneโs own mental map.’