From experimental documentary to analogue photography, from field recordings to live arts, Iranian artist pantea works across many disciplines, exploring different ways of imagining new narratives of ecological connections.

Her practice currently revolves around wetlands and marshes—liminal spaces that she approaches through the plant known as sundew (drosera), in an exercise in non-human fiction involving shared subjectivity and thinking-with. This research has gone hand in hand with a growing interest in socially engaged practice and the possibilities of sound and listening, which has materialised in the form of record releases as well as projects such as Khamoosh, an artistic research group (of which she is a member and founder) dedicated to preserving and archiving Iranian sonic heritage.