Salomé Voegelin is an artist and writer engaged in listening as a socio-political practice. Taking the invisible and relational as her starting point, she employs a sonic sensibility to reimagine the world through its indivisibility. Her work spans writing, performance, and publication, producing books, articles, papers, and text-scores that challenge how we hear and understand.

Her book Uncurating Sound: Knowledge with Voice and Hands, published by Bloomsbury in 2023, proposes ‘uncuration’ as a mode of knowledge untethered from reference and canon, positioning art as political not through its message, but through how it confronts institutional structures. In the text Unperforming the Dream House (2023), Voegelin reimagines the radical dreams of the 1960s and 70s in a contemporary frame.

She is Professor of Sound at the London College of Communication, University of the Arts London.