Photo credit Acousmonium by Didier Allard / INA grm
Serene Din by Hilde Marie Holsen & Mariam Gviniashvili is a live electroacoustic performance that entangles calm trumpet and dense electronic noise. In the 25-minute collaborative live electroacoustic performance by trumpeter-composer Hilde Marie Holsen and composer Mariam Gviniashvili., the work develops as an exploration of contrasts and convergences, where the organic warmth of the live trumpet meets dense noises. The title Serene Din conveys the paradox of a performance that is at once noisy and complex, but with an underlying sense of calm and clarity.
The work premiered at Akousma on the Acousmonium – INA grm’s multichannel sound system – on 31 May 2025.
Norwegian Hilde Marie Holsen has carved out something very particular and niche in music. Processing her trumpet in the electronic realm, she blends the mournful tone of the brass instrument with the explorative field of electronic music to create music that lies somewhere between jazz, contemporary, and drone. Holsen’s music has unpicked the frayed boundaries of traditions, calling in a new generation of artists that abandoned stale and repetitive conventions in favour of establishing something unique in the realms of contemporary music.
Mariam Gviniashvili works as a sound artist and composer, combining electronics, electroacoustics, and 3D sound with visuals, dance, and live performance to penetrate deep into the physical and emotional essence of sound and space. Music has followed Gviniashvili through her life since early childhood. Growing up in Georgia, she sang and played piano, and gradually found her feet as a composer and visual artist while studying composition at the Norwegian Academy of Music. Festivals, major venues, and radio programmes have presented Gviniashvili’s music, including the New York Electroacoustic Music Festival, BEAST FEaST, Transitions at CCRMA, MA/IN, ICMC, Mixtur Festival, ARD Radio Play Days at ZKM, BBC Radio, Ars Electronica, Klingt Gut, In Situ Festival, Heroines of Sound, and Ultima Festival.
Part of Re-Imagine Europe – New Perspectives for Action. Co-funded by the European Union.
Premiere: Akousma 2025 (FR)
This work is available for touring. Further enquiries: grm@ina.fr













