Her recordings, performances, publications, and installations focus on site-specific landscape studies as a means to highlight complex interdependencies between perception, attention, and trauma. Through linkages made between our finite physical landscapes and their infinitely permutable digital representations, these works explore qualities of embodiment amidst climate catastrophe and late capitalism.

Skeen has released musical works on Room40, LINE Imprint, Touch, Dragon’s Eye Recordings, and Crystalline Morphologies, which have been reviewed in The Wire Magazine, Pitchfork, Bandcamp, Foxy Digitalis, and others. She has presented work at LAXART, the Broad Museum, Open Space SFMOMA, LAND AND SEA, Los Angeles Contemporary Exhibitions, the Center for New Music San Francisco, REDCAT, and LACMA.