Introduction
Stretching time until it trembles, staying with the slipperiness of lived experience, embracing non-linear temporalities, and insisting that joy and fun are necessary technologies of survival are part of Ren Loren Britton’s critical and radical pedagogy. Against the logics of efficiency and assimilation, Ren calls for modes of being-together that value other temporalities and ways of feeling—where needs are not burdens but signals of interdependence, where data can be tender, and where the archive might become a site of relational vulnerability.

Ren Loren Britton’s artistic research moves through the molten intersections of trans*feminisms, technoscience, disability justice, and radical pedagogy. Working within collaborative constellations such as MELT (with Iz Paehr) and FansBenderPresents (with Rosen Eveleigh), among others, their work invites us to engage in processes of unlearning, reimagining, and reconfiguring access—not as compliance or checklist, but as a rehearsal of desire and relation, building infrastructures of care. In their words, this practice draws inspiration from Indigenous epistemologies and thinks with trans* and Disabled experiences, working against epistemicide, i.e. the willful killing of ways of knowing.

Ren walks us through trans* and Disabled lineages, their erasure and resurgence, tracing how cultural memory holds both the burden of remembering and the care of unforgetting. The conversation wanders through crip technoscience, access riders and servers, and braver spaces that acknowledge that safety is never universal, alongside the affective infrastructures that sustain care across difference. In the middle of too much data—and not enough—crip technologies of knowing, and of feeling knowledge into being, offer other ways of sensing the world.

Context
This text is one of the pilot studies of Re-Imagine Europe: New Perspectives for Action. In these contributions we explore and reflect on artistic practices and experimental approaches in the cultural field that can engage and activate audiences and communities to address ecological, social, and political challenges. The pilot studies provide an overview of practices of cultural organisations that can serve as models, recipes, or tools for transformation for current and future generations of cultural workers and artists.

Read the pilot study directly on our website or download the PDF to save for later.