Watch / Read / Listen
This guide aims to share knowledge gained throughout the Re-Imagine Europe project with professionals in the cultural sector who would like to gain a deeper insight into audience development. It could never be comprehensive but we hope it’s a useful starting point.
Re-Imagine Europe publication collects articles, essays, interviews and reports about audience engagement for interdisciplinary arts organisations.
In this article Arie Altena looks back on the Critical Writing Workshops that Sonic Acts has organised over the past ten years.
Partly based on an interview with Mario de Vega and Victor Mazón Gardoqui, this text explains the rationale behind organising artist-led masterclasses and workshops at Sonic Acts, and the role they can play in building communities of interest.
Time to Listen, Space to Experiment: Perspectives from Re-Imagine Europe 2017-2021 is the publication that concludes the Re-Imagine Europe project.
For this article, Karoline Rugle interviewed Hilde Marie Pedersen, head of education at Bergen Kunsthall, about their approach to youth arts education.
In this podcast Ràdio Web MACBA talk to Aho Ssan about his grandfather’s lost trumpet and about an Ivory Coast jazz band that’s impossible to track down. Along the way, we share the cinematic tension of his debut LP Simulacrum and the various routes that led him there.
RWM talk to Andrea Ballestero about aquifers and amorphous futures, about imagination as an essential part of the academic research process, and about the potential of bureaucratic practices as cogs in a possible machinery of change—which does not necessarily have to involve large-scale global transformations.
An interview with British violoncellist and composer Lucy Railton who presented her sound piece ‘Forma’ at A4 in August 2021.
Interviewed by Karolina Rugle, the artists Rian Treanor and Jiří Suchánek, as well as Slávo Krekovič and Ľudovít Nápoký of A4, reflect on two workshops they organised for children.
An interview with the death-jazz (or avant-core) project Shibuya Motors that brought a wild improvisational storm to A4 .
In this conversation, Marie Hélène Pereira and Fatima Bintou Rassoul Sy—two key members of Raw Material Company—discuss a situated feminist and decolonial practice that focuses on doing rather than enunciating and categorizing.
In the frame of the international “UTOPIA/DYSTOPIA” research & creation residency project, the company Gray Box organised a free intensive training, designed for people who want to create and initiate instead of execute and follow.
Distrust Everythin is an AV installation in 4 episodes realized through artificial intelligence systems and 3D photogrammetries, which immerses the visitors within an uncanny, synthetic dream realized by a neural network.
The audio installation “I Gong” by musician and artist Gregor Ladenhauf aka Zanshin, set up in the Chinese pavilion, makes the “I Ching”, the Book of Changes, sound with the help of a gong.
Rdeča Raketa combines abstract electronic sounds with heavy beats, inspired by acousmatic and industrial music, as well as hip hop. The artful interweaving of spoken and sung language coalesces with the collaged sound material.
The pandemic as momentum. What did the Corona crisis evoke in us: solidarity or selfishness or both? Who did the momentum of the crisis harm, who did it benefit?
Is the excitement around the broad field of identity politics exaggerated or is this kind of increasing public polarisation attacking the principles of freedom of expression and thus also the ideals of an open, pluralistic society and the Enlightenment?
For a long time, clubs were treated like normal night gastronomy that had to hold its own on the free market. But does it make any difference at all if what happens in some clubs is given the label “culture”?
In this podcast, Samaneh Moafi turns a gaze to notions of ecocide, negative commons and environmental violence in pursuit of accountability and change.
This text is a journal that has been written in collaboration with the artists that took part in the Pier residency, as well as artists working with Lighthouse as a result of the call, and the Lighthouse team and trustees.
In this podcast, Ràdio Web MACBA talk to Deforrest Brown about Detroit veterans, broken futures, Reaganomics, screams, government sanctioned murder, and Disco Demolition in the post-truth era.
All Thoughts Fly: Monster, Taxonomy, Film is a narrative assemblage of prose and image. At once personal, historical and theoretical, the book continues the authors’ inquiry into the curious presence of taxonomies of monsters at the heart of Early Modern European science.
In November 2020 Arie Altena interviewed François J. Bonnet, composer, musician and director of INA GRM in Paris. They discussed the ways in which GRM interacts with and builds its international audience.
This video trailer provides a glimpse of The Informals II exhibition and some of Brighton’s young musicians and the community around AudioActive that facilitated the creation of this art project.
Disruptive Fridays #24 “Digital Futures” features projects from The New New fellowship. The projects explore the multitude of possible digital futures where migrant, BIPOC, queer, trans and marginalized genders voices reclaim intersectional digital spaces.
In this episode the speakers share ideas and practices on how to develop experimental online formats, expanding the potential of digital culture, for festivals, workshops and other events, and share experiences that had a positive cultural impact so far.
In this video Sissel Marie Tonn talks about the research that preceded and inspired the project Plastic Hypersea
In the second conversation with founding director of Forensic Architecture Eyal Weizman, Ràdio Web MACBA explore further the nuances of their sophisticated research practice, this time focusing on the notions of time and duration from a forensic perspective in order to unfold multiple temporalities from an instant.
Ecoes is a new periodic magazine from Sonic Acts Press. The magazine continues Sonic Acts’ emphasis on artists and thinkers proposing alternatives to the anthropocentric view that sees Earth and the non-human world as an endless resource.
An interview with members of the Ràdio Web MACBA Working Group.
This episode brings together three speakers that have worked on different types of online events to share their tips, tricks & experiences on organising and managing events online.
This episode of Disruptive Fridays discusses the shared memory and culture built on the legacy of Yugoslavia.
‘Live In Bergen’ is the first release by Alan Joik, a project by Katarina Barruk (joik, vocals) and Maja S. K. Ratkje (vocals, live electronics).
Limited edition pink marble vinyl LP of ‘Basically’ by Nikima Jagudajev, Jordan Balaber and Lester St. Louis.
In this article, Tatiana Bazzichelli and Lieke Ploeger of Disruption Network Lab explain how their vision of ‘examining the intersection of politics, technology, and society, to expose the misconduct and wrongdoing of the powerful’, is achieved through bringing together communities of trust in highly focused conferences and meet-ups.
This episode of Disruptive Fridays is taking a look at the global implications (and unintended consequences) of Covid-19 – with Jaqueline discussing her research as part of Global Integrity’s Anti-Corruption Evidence Programme, as well as Madlen Davies and Ido Vock.
This excerpt from ‘Who’s doing the washing up?’ gives an insight into the programme of institutional interventions of the programme at Bergen Kunsthall and Lighthouse, and reflects on the process, the experiences of the participants, and the reflections that resulted from it.
In this conversation between Wu Ming 1 and Florian Cramer, QAnon is discussed as a template for contemporary social-media-driven conspiracy fantasies that work simultaneously as games and a new kind of cults.
This episode of Disruptive Fridays touches about community engagement, collective learning and creative mentoring, with speakers connected to UK-based art charity Lighthouse and Landmark/Bergen Kunsthall from Norway.
With “Lockdown Grooves”, the Elevate Festival 2021 shows its first artistic sign of life.
With “Vessel 1.2. / Suite pour une femme seule”, Vienna-based composer Katharina Klement created an intense, tense and yet subtle electroacoustic album released on Ventil Records.
In the final episode, Jamila is joined by Deborah Joyce Holman and Rabz Lansiquot to discuss collectivising, care and the limits of representation.
Ràdio Web MACBA dug up some unreleased fragments of a conversation with Elaine Gan that were not included the first time around.
In this edition the guests discuss radical feminist health practices, and how they tackle the power mechanisms over gender, race and class in the health sector.
Episode Two – In conversation with Jemma Desai, join the discussion about their experiences of navigating hostile and inhospitable institutions, and ways we have found to protect our imaginations and resist capitalist productivity.
Experience the story of our Re-Imagine Europe project
In the first Disruptive Fridays episode of the year, Disruptive Network Lab is joined by award-winning investigative journalist and author Tom Burgis to discuss the opportunities that the pandemic has provided for kleptocracy to flourish.
In this podcast, Jamila speaks to Lucy Lopez and Rachel Noel about everything from creating communities, to informal meeting spaces, art-world-burnout and carving out space for ourselves and one another.
In this article, Margarita Osipian takes the Elevate Festival in Graz, Austria, and A4 in Bratislava, Slovakia, as case studies for examining how the format of workshops and informal education within a festival feeds into audience development.
Two podcasts related to the on-going project Declaration of Independence by Barby Asante made in collaboration with podcast producer Femi Oriogun Williams and some of the womxn who took part in the workshop and performance in Bergen Kunsthall in 2020.
Ràdio Web MACBA dug up some unreleased fragments of a conversation with sound artist John Richards/Dirty Electronics that were not included the first time around.
In this podcast by Radio Web MACBA, Elaine Gan talks about crop science, feral technologies, the global pandemic, radical difference, the art of noticing, Matsutake mushrooms, and, of course, the blahblahsphere.
New digital album by INA GRM which includes the commissioned work Teum (the Silver Slit) by Okkyung Lee.
Ràdio Web MACBA dug up some unreleased fragments of a conversation with sound artist Ji Youn Kang that were not included the first time around.
Radio Web MACBA dug up some unreleased fragments of the conversation with the Slovak sound artist Jonáš Gruska that were not included the first time around.
A long read about Factory of Sound, an educational programme by KONTEJNER (HR) for the youngest musicians of the future.
Re-Imagining the Digital Diorama is a reflection on the scope of online platforms in relation to the differing needs and desires of artists and cultural organisations.
An interview with Mats Gustafsson and Christof Kurzmann which was recorded during the NEXT Festival 2020.
An interview with KIN whose performances are characteristic for perfect synergy and a will to experiment and revisit now-obsolete jazz formulas.
In the conversation, Foundland collective will speak about their artistic practice in creating personal “Counter-archives” by means of alternative storytelling and documenting underrepresented narratives of migration, conflict, loss and memory. Daniela Ortiz will address her work with visual narratives on borders as a colonial discourse and crtically reflect on migration control systems and its legal structure.
In this podcast, Hugo talks about his work and its ties to his upbringing – or how growing up in the hyperchaos of Mexico City relates to this fascination with speed, overabundance and syncretism.
An interview with Olivia Jack who led a two-day online workshop of Live Coding Visuals with Hydra at the NEXT Festival 2020.
An interview with Renick Bell recorded for the NEXT Festival 2020.
An interview with the Canadian-American duo Pierce Warnecke and Matthew Biederman recorded for NEXT Festival 2020.
Austrian musicians Dorian Concept and Zanshin were commissioned by Sonic Acts and Elevate festivals to create a composition with Max Brand’s historical modular synthesizer Moogtonium. As a continuation of the project, a new performance with the synthesizer was presented to the NEXT Festival 2020 audience.
In the commissioned 3D audiovisual performative installation ‘Wayfinding’, digitally de-, and reconstructed somewhat glitchy footages of estranged, scenic landscapes, and the accompanying ambient sound swallows its viewer.
An interview with The Rodina, who was commisioned by A4 to create a virtual interactive 3D environment with several rooms and stages for the special online edition of the NEXT Festival 2020.
An interview with Fero Király who prepared a special set for NEXT 2020, Király created live with his favourite instrument – SuperCollider programming language.
An interview with Nikita Diakur who made a video teaser (Claw Machine) for the NEXT Festival in order to promote the performances and workshops produced by A4 as part of the festival.
An interview with Austrian musicians Dorian Concept and Zanshin who were commissioned by Sonic Acts and Elevate festivals to create a composition with Max Brand’s historical modular synthesizer Moogtonium.
An interview with BA–Unrated who presented their commissioned 3D audiovisual performative installation ‘Wayfinding’ at the NEXT Festival 2020.
Through a series of listening exercises and musical activities within the workshop, children were invited to playfully respond to their sonic environment, creating drawings that were turned into graphic scores.
BORDERS OF FEAR brings together journalists, activists, media experts, lawyers, researchers and critical thinkers to unveil persecution, control, and cultural violence in relation to refugees and to people with a migration background.
Ràdio Web MACBA chat to César Rendueles about his new book “Contra la igualdad de oportunidades. Un panflento igualirtarista” (Seix Barral, 2020). the author talks about the myth of universal connectivity and technological dystopia. He also touches on necropolitics, necroeconomics, and the importance of social ties in processes of social change.
In this special edition for the 4th CIJ Logan Symposium Collective Intelligence, we hold a panel discussion on how open-source intelligence tools and collective strategies reconfigure investigations. Moderated by Tatiana Bazzichelli, this talk brings together investigative television journalist Natalie Sedletska, software artisan and ethical hacker Denis “Jaromil” Roio, and data team lead at OCCRP Friedrich Lindenberg.
In this podcast, Ji talks about Korean ritual music, perfect 5ths and nature, resonating objects, noise, self-built instruments, uncertainty and tension, Wave Field Synthesis, and strategies to engage online audiences in meaningful communication.
In this podcast, John Richards tells us about the Luddites and Leicester, touches on his views on functionality, control, and safety nets, and talks about his approach to speculative circuitry, authorship and composition.
Ràdio Web MACBA dug up some unreleased fragments of a conversation with sound artist Lars Holdhus that were not included the first time around.
ReImagine Culture episode re-visits the question of the strategies to keep working with art and culture when the contexts of sharing are so limited with three speakers that have been trying out creative solutions for resistance to the isolation caused by the COVID-19 pandemic, and hear from them how they have worked on reimagining culture in times of corona.
Ràdio Web MACBA dug up some unreleased fragments of a conversation with political geographer and sound artist Anja Kanngieser that were not included the first time around. In this podcast, Anja Kanngieser reflects on expanded listening, on the inaudible, and on our anthropocentrism.
In this podcast, Jonáš talks about resonating spaces, resonating surfaces, tramways, self-taught electronic circuitry, field recordings, fermentation, mushrooms, and unusual microphones.
An interview with Radian recorded during their performance at A4 in September 2020.
The 20th conference of the Disruption Network Lab, curated by Tatiana Bazzichelli & Mauro Mondello, focuses on smart city visions for the future, addressing the implications of new data policies, as well as analysing the unintended negative consequences of tracking and surveillance to our privacy and freedom.
On September 11, Disruption Network Lab is organising Disruptive Fridays 12#: Global Surveillance in the Data Society, a preview of the conference DATA CITIES: Smart Technologies, Tracking & Human Rights, which reflects on the discourse of surveillance and human rights during the coronavirus crisis, and will reconnect it to another event that reshaped our society: 9/11.
In this podcast, Reni Hofmüller shares her obsession with dismantling the invisible in order to understand and question it. A trip through time that takes us from the 1980s to the present, through her personal involvement in feminist discussions from the perspective of new media.
A recording from Avant Joik´s concert that took place on September 4, 2020 at Bergen Kunsthall on the occasion of this year’s festival exhibition opening with Joar Nango.
Play or Get Played episode explores video game utopias and playable political satires with Marloes de Valk, Chloê Langford, and Gabriel Helfenstein.
A new episode of Disruptive Fridays focuses on the response to the coronavirus outbreak in South Eastern European countries: North Macedonia, Serbia, Kosovo, Albania and Bosnia and Herzegovina. The guests examine and question the execution of some political decisions in the region, the different political styles, misinformation and the lack of dialogue with the citizens.
In this podcast, Ràdio Web MACBA talk to Jennifer Walshe about writing, annotating, teaching, collecting, eavesdropping, performing, faking, and a touch of machine learning.
Unreleased fragments of a conversation with Finnish artist Terike Haapoja that were not included the first time around.
A series of recorded talks and readings with local and international artists and writers created in response to the limitations in the live program capabilities in 2020.
In this podcast, we become the listeners as Anja Kanngieser reflects on expanded listening, on the inaudible, and on our anthropocentrism.
Hosted in collaboration with Bridge Figures, Disruptive Fridays #9 connects with creative and activist communities in Kenya, Nigeria, and South Africa to learn and share about responses relevant to local and global communities.
Interview with the art collective Ljubavnice about their recent work “I would rather be a cyborg than a goddess”.
Ràdio Web MACBA dug up some unreleased fragments of the conversation with Ramon Amaro that were not included the first time around.
This week’s speakers all have specific experiences from the fight for justice & equality, against racism, poverty, marginalization, homelessness, criminalization and police brutality. What can we learn from their struggles & achievements, to inform our own fights around the world?
An exclusive ten-minute set recorded in the main hall of Paradiso and pressed with rough edits of feedback manipulations* from a Buchla 200 synthesizer during Sonic Acts Academy 2020.
EVICTED BY GREED investigates how speculative finance drives the global and local housing crisis, and gathers experts & activists from around the world to share and find counter-strategies.
In this podcast, Ràdio Web MACBA talk to Joana Moll about interfaces and their social implications, about technocolonialism, agency, surveillance, exploitation, speculation and, why not, about laughter.
Forma by Lucy Railton, is a work that burrows deep inside. It disorientates and teases, without malice. Its beauty lies in gentle projections, which, though subtle, leave deep impressions, like the wings of a nocturnal moth reflecting dark light.
In this podcast, Lars Holdhus advocates for presence and awareness. Between tea sips, he reflects on toolmaking and impact, A.I. and the obsession with flesh, human time and machine time.
Disruptive Fridays #7 – Whistleblowing During COVID-19 focuses on the role of whistleblowers during COVID-19 and discusses the importance of exposing the truth during the pandemic.
The sixth edition of Disruptive Fridays features a conversation about harm reduction within queerfeminist self-organized communities that welcome queers, trans, POC and neurodivergent people to discuss, test and learn about psychoactive substances.
Disruptive Fridays #5 – Lockdown or Crackdown? – features Stellan Vinthagen, Mauro Mondello and Jonas Frankki who discuss what is happening at the moment in countries like Poland and Hungary, and discuss what effective activism and resistance might look like during lockdown.
Finnish artist Terike Haapoja invites us to imagine this posthumanism: a hybrid, expansive, empathetic “we” with room for ambiguity and difference and for interspecies political understanding, in which the morbid fantasy of human exceptionalism and the hierarchy of species is put to rest once and for all.
This new episode of Roc Jiménez de Cisneros’ OBJECTHOOD series features conversations with Diego Falconi, Rick Dolphijn, Dave Phillips, and music by Kali Malone.
The fourth edition of Disruptive Fridays features a conversation between Lauri Love, Joana Moll, Julian Finn and Tatiana Bazzichelli who discuss the implications of tracking and data retention on everyday life, as well as the necessity to implement technology for collective care while respecting privacy and surveillance concerns.
The third edition of Disruption Network Lab’s new programme stream – DISRUPTIVE FRIDAYS features a conversation between Valeria Graziano, Natasha Falkov and Elena Veljanovska who speak about self-organized care initiatives in times of Corona in North Italy and Berlin.
This report reflects on what re-imagining means and could mean in practice for cultural institutions. Specifically, the report reflects on two commissions developed with the artist Jordi Ferreiro for Bergen Kunsthall (NO) and Lighthouse Brighton (UK).
In the second edition of Disruption Network Lab’s new programme stream – DISRUPTIVE FRIDAYS, the guests speak about critical making in times of corona: how can we use digital fabrication techniques such as 3D printing and laser cutting in the fight against the COVID-19 pandemic?
In the first episode of Disruptive Fridays, the guests share ideas for creative solutions and resistance to the isolation caused by the COVID-19 pandemic.
Interview with artist and musician Jiří Suchánek about Experimental music instruments workshop for children which took place in December 2019.
Stirred Mandala II performance arises from her ongoing research on optical sound and spiral movements in body and machine and is a result of Mariska’s residency at A4.
An interview with composer, performer and videomaker Martin Messier recorded during NEXT Festival 2019
An interview with composer and performer Keith Fullerton Whitman recorded during NEXT Festival 2019.
An interview with Amalia Roxana Filip and Boris Vitázek who performed a new audiovisual performance LESS commissioned by the NEXT Festival 2019.
An interview with UK-based Swedish composer and performer Erik Nyström who presented his multichannel computer music work Intra-action at NEXT Festival 2019.
An interview with musician and artist Jennifer Walshe who presented her performance IS IT COOL TO TRY HARD NOW? at NEXT Festival 2019.
An interview with electronic and multidisciplinary artist Russell Haswell electronic and multidisciplinary who preformed at NEXT Festival 2019.
An interview with Mariska de Groot recorded at NEXT Festival 2019.
One of the central cooperations this year is with IEM, the Institute for Electronic Music in Graz, and the renowned Parisian institution INA GRM. The legendary Acousmonium, designed by Bayle, will be specially set up for in the György Ligeti Hall of Graz’s Mumuth.
An interview with Slovak and Czech musicians Ondrej Zajac, Ondřej Ježek, and Václav Šafka recorded during NEXT Festival 2019.
An interview with artist and musician Lars Holdhus aka TCF who created his new work during a residency commissioned by A4 and presented at NEXT Festival 2019.
Everyone’s talking about drugs. The annual UN report estimates that 271 million people worldwide used drugs (2017), 35 million of them severely dependent. This panel discussion will feature two outstanding authors who have approached the topic in very different ways, Norman Ohler and Daniel Pinchbeck.
Collective efforts to raise awareness around climate emergency seem to be gaining momentum. However, a question arises – as the survival clock ticks, are the current narratives and actions being taken enough to prevent climate breakdown from happening?
In this discussion, the panellists share their experiences with and visions of technology and human interaction of the future.
In 2020, the Schlossberglift in Dom im Berg was covered for the first time: in a work conceived as a permanent sound installation, the Finnish musician Jimi Tenor presents his version of elevator music.
Have you ever wondered why music makes you feel so good? In the interactive demonstrations Harry Witchel performs with one or two classical musicians, and they take turns, with Witchel explaining, and the musicians demonstrating live, how the body and the brain are influenced by different kinds of music.
‘Human Nature’ is an audio-visual installation which reflects on the theme of truth through the gaze of artificial intelligence.
The Persuasion Lab, presented by Nayantara Ranganathan from India and Manuel Beltrán from Spain at esc medien kunst labor during Elevate 2020, provides an infrastructure to interrogate the workings of political advertisements on FACEBOOK Inc.
An interview with MÆKUR (Maiа Urstad, Eva Rowson and Anton Kats) who presented Conditions 2020 – A Live MÆKUR Radio Broadcast at Sonic Acts Academy 2020.
Žaburina, a multichannel sound performance commissioned by Ina GRM, had its world première at Sonic Acts Academy 2020.
American composer and musician Kali Malone is based in Stockholm where she contests standardised tuning through utterly magical compositions. She performed at Sonic Acts Academy 2020 as part of the Expanded Experience programme.
Moving fluidly between rave and reggaeton, breakcore and ballroom, this special edition of the monthly club night, as part of Sonic Acts Academy 2020, features energetic hybrid performances, game demonstrations and live audiovisual premieres by some of club music’s most defiant voices permeating all corners of Paradiso.
The Altitudes is a twenty-minute multichannel piece which premiered at Sonic Acts Academy 2020.
Daniel Mann’s talk features a screening of an episode from Eitan Efrat’s and Mann’s film The Magic Mountain (2020). Thinking the surface of the Earth against its volume is tracing the very limits of representation. Underneath the ground, human bodies become surfaces upon which the land leaves its mark, imprinted directly into the cells and tissue.
A starting point of this talk is a film that was captured through a microscope. Reclaiming Vision takes the viewer on a journey through various ways of looking at, relating to and influencing nature.
An interview with Finnish musician Marja Ahti by François Bonnet for Sonic Acts Magazine 2020
At Sonic Acts, Anthea Caddy premièred a live performance that expands the physical properties of projected sound energy via amplified cello.
An interview with Philip Vermeulen about his sensorially powerful audiovisual installation More Moiré².
Sonic Acts Academy 2020 takes its cue from inspiring artistic research with a special emphasis on experimentation and innovation. Informed by the urgency of the climate crisis and approaches to new futures, the Academy is an open invitation to listen, talk and learn with one another.
Vermeulen’s sensorially powerful audiovisual installation More Moiré² puts visitors’ senses to the test. In a virtual and abstract landscape of light, sound and moving moiré patterns, he constructs new worlds and dissolves others.
An interview with American musician Kali Malone by François Bonnet for Sonic Acts Magazine 2020
In these outtakes, Anton Kats talks about the transition from MAKU to MÆKUR, about slowing down and opening up listening spaces, and about contextual and emotional infrastructure in art practice.
In this podcast, Ràdio Web MACBA opt for extensive, durational listening, enthralled by Anton Kats’s verbiage, charisma, and intuitions. The artist talks about the Europe of integration through his embodied experience, about memory, dementia, and different ways of not knowing.
An interview with audiovisual artist Michela Pelusio who presented her performance SpaceTime Helix at NEXT Festival 2019
John Richards explores the idea of Dirty Electronics that focuses on shared experiences, ritual, gesture, touch and social interaction. Dirty Electronics has been commissioned to create sound devices for various arts organisations and festivals and has released a series of hand-held synths on Mute Records.
This video registration of a conversation between artists and writers Sandra Mujinga, Jeannette Ehlers, Christelle Oyiri and Samuel Girma discusses what it means to work with invisible (hi)stories.
DISRUPT THE SYSTEM NOT THE CLIMATE is Disruption Network Lab’s closing event of 2019, which wraps up the 2019 conference series ‘The Art of Exposing Injustice’, as well as the first year of the Activation community programme.
An interview with American artist, composer, and curator Doron Sadja whose work explores modes of perception and the experience of sound, light, and space.
Jennifer Walshe talked about her work, starting with the pieces she is performing, and also about her research in A.I. and it’s potential in experimental music and performance.
Michela Pelusio introduced her groundbreaking work in the talk titled Beyond SpaceTime Helix which looke into the backstage of the performance she presented on Saturday 30th 2019 at A4 as part of NEXT Festival 2019.
In his latest project FIELD, composer, performer and videomaker Martin Messier assumes it is possible to create sounds using electromagnetic fields in our environment.
ACTIVATION: Collective Strategies to Expose Injustice brings together the different communities, networks and initiatives that worked with Disruption Network Lab over the course of the year through the Activation community program, and look back together at the conference topics of 2019.
An interview with a Swedish improviser Mikko Savela who performed during NEXT Festival 2019.
In this podcast, Nora Sternfeld problematises the educational turn and talks about the crisis of the museum model, radical pedagogy, emancipatory practices and alliances, para-institutions, unlearning strategies and collective knowledge projected into the future.
In this podcast, Helen Pritchard discusses some of her works and collective projects, and talks about all sorts of double bonds.
An interview with Japanese musician Otomo Yoshihide who performed at A4 in 2019.
Ràdio Web MACBA dug up some unreleased fragments of the interview with Irit Rogoff that were not included the first time around.
At the heart of Forensic Architecture’s ‘counter-forensic’ practice is an understanding of the production of evidence as a collaborative enterprise by civil society, in which situated knowledge speaks in coalition with technical, legal, and journalistic expertise.
Curator Eva Rowson and Emma Wickham share their favourite ‘Lighthouse maintenance tools’ to reflect on how the building works, what keeps it going – and who’s doing the washing up.
Claudia Treacher and Violeta Marchenkova from Brighton-based collective Devils’ Dyke Network interview artists Anna Bunting Branch and Aliyah Hussain about their collaborative project Potential Wor(l)ds on feminist science fiction, printmaking and experimental sound-making.
Artists Jordi Ferreiro and Andrea Francke discuss their shared interests in how cultural organisations can open up to include different perspectives and voices in the way they work.
Artists Maia Urstad and Anton Kats share their collaborative project MAKU, and how they explore different ways of working with radio as tools for communication, programming and listening.
Nina Pixel in conversation with Fridaymilk for the Sonic Acts Festival 2019.
An interview with BJ Nilsen who performed ORE during the 15th edition of the Présences électronique festival at Maison de la Radio.
Polina Medvedeva and Andreas Kühne in conversation with Fridaymilk for the Sonic Acts Festival 2019.
Timothy Morton, M.C. Schmidt & Jennifer Walshe in conversation with Arie Altena for the Sonic Acts Festival 2019.
In this podcast, Irit Rogoff explores and develops new models of research, action, and education that are activated where artistic practices meet philosophies and politics.
The piece is an interview of the creators of the audiovisual performance The Informals / Неформалы during their June performance in A4.
Ràdio Web MACBA dug up some unreleased fragments of the interview with Sofía Olascoaga that were not included the first time around.
BJ Nilsen in conversation with Fridaymilk for the Sonic Acts Festival 2019.
Okkyung Lee’s piece was written for computer generated sounds, pre-recorded materials and cello and it was created during the residence at Ina GRM, Paris, in January 2019.
In 2018, artist-educator Jordi Ferreiro collaborated with Johanne Hauge Gjerland, Linnea Halveg and Lisa Holmås of Bergen Kunsthall’s young people’s association Unge kunstkjennere (UKK) on a series of workshops investigating the architecture and functions of Bergen Kunsthall.
Viral is a project by Lighthouse for 16-25 year olds who want to work in the creative and digital industries, but who don’t have the opportunities, facilities and connections they need. The project is for young people from diverse backgrounds, including those not in work or training.
This video offers an impression of a hands-on workshop organized by INA GRM that introduces non-professional musicians to musical creation from an electroacoustic perspective
In this podcast, Irish artist John Gerrard talks about his initial fascination with 3D scanners and about how they led him to develop his current practice.
An interview with American musician Dafna Naphtali who performed at A4 together with Edith Lettner.
In this podcast, Teal Triggs talks about the historical background of zines and their key role in generating communities outside of the mainstream, from community newsletters to dada publications by way of science-fiction, 1950s rock and roll, and activist zines.
Three-part workshop Modular synthesis with VCV Rack with Ondřej Spiritz A video from the three-part practical workshop for electronic audio enthusiasts – Modular Synthesis with VCV Rack.
Ràdio Web MACBA dug up some unreleased fragments of the interview with Peter Zinovieff that were no included the first time around.
In this podcast, Sofía Olascoaga gives an overview of the activist history of Cuernavaca (MX). From the 1950s to the 1980s, Cuernavaca attracted several generations of intellectuals and activists becoming a testing ground for social initiatives.
A literature review of Urban Paradoxes about audience development strategies within Re-Imagine Europe.
A live recording from Potential Wor(l)ds in which artists Aliyah Hussain and Anna Bunting Branch, Marlborough Theatre , Co-Artistic Director Tarik Elmoutawakil and Devils’ Dyke Network, organisers Claudia Treacher and Violeta Marchenkova share their strategies for making spaces on their own terms.
In this podcast Bernard Stiegler talks about education and smartphones, translations and linguists, about economic war, climate change, and political stupidity.
Liquid Truth is a new-media art project that is leitmotifically dedicated to an ancient way of speaking. The art piece was presented at Elevate Festival 2019.
A video highlighting the thinking and process behind Factory of Sound, KONTEJNER’s educational programme of improvised music for children.
Artist Melanie Terrade ran a hands-on workshop exploring how everyday technologies can be redesigned to be more environmentally friendly.
Video report of John Chantler’s residency at the GRM Studios for his composition “Tomorrow is too late” using the Coupigny Synthesizer.
In this Podcast, Boris Charmatz reflects on how to address power structures within the artistic field.
‘Human Nature’ is an audio-visual installation by Jeremy Carne which reflects on the theme of truth through the gaze of artificial intelligence.
Produced by A4 as a part of Re-Imagine Europe proje”KRAA” is a long spring night festival of Slovak musical creations with a slightly ironic (but also slightly truthful) subtitle “festival of truly contemporary music”.
Under the title HEREAFTER, Sonic Acts explored the genesis of our current crisis – what happens in the hereafter – by reflecting on the issues we are forced to confront on a daily basis.
Gregor Ladenhauf’s definition of VR within the panel discussion “Truth in immersion” which explores visions and experiences alike.
A short excerpt of the panel discussion “Truth in immersion” which explores visions and experiences alike.
Eva Fischer’s Trifold definition within the panel discussion “Truth in immersion” which explores visions and experiences alike.
A short excerpt of the full length panel discussion “Truth in immersion” which explores visions and experiences alike.
This excerpt of the full-length panel discussion which explores the question of how socio-political discourses and democratic participation can shape themselves when more and more people – intensified by the consumption of so-called ‘social media’ – remain in their bubbles on their islands and drift apart instead of moving towards each other.
This panel explores the question of how socio-political discourses and democratic participation can shape themselves when people remain in their bubbles.
In this panel discussion we want to explore visions and experiences alike. Where are we heading to in terms of VR experiences, 3D Sound and Fulldome Media? Artists, musicians, coders and festival makers will discuss perspectives and implications of immersive experiences of various formats.
Radio Web MACBA digs up some unreleased fragments of the interview with Monica Narula that were unable to be included the first time around.
A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde.
This talk by The Otolith Group – Anjalika Sagar and Kodwo Eshun – who are joined by Annie Fletcher, focuses on the importance of this Afrofuturist artist and expand on ideas in making the film.
During the Sonic Acts Festival 2019, Stoffel Debuysere asks the questions: what has happened to the cinematic fictions that set out to make sense of our times?
During the Sonic Acts Festival 2019, Emma Wolukau-Wanambwa reflects on the similarities and differences between the contexts and research processes of her work
TIME TIME TIME is an opera by Jennifer Walshe and Timothy Morton that explores the multiplicity of temporalities at the heart of being human.
Q&A and panel discussion with Stoffel Debuysere after his talk about Fictions of the Real.
A panel discussion with The Ololith group (GH/UK) and Emma Wolukau-Wanambwa (UK), moderated by Emily Pethick (UK/NL)
ORE is a release by BJ Nilsen which includes recordings that the artist made over four years at locations connected to the mining of iron ore and coal in Norway, Russia and the Netherlands.
Interview realised when Nina Pixel performed at A4 in Bratislava on the Pentacle 15.3 Surround Sound System.
Robert B. Lisek talks about the AIAM Workshop during which he used artificial intelligence to create sound, visuals, performances, installations and interactive media.
In this podcast Raqs Media Collective founder Monica Narula talks about raga, the technological body, public domain, the ineffability of time, the Mahabharata, politics of language, exhaustion, dilation and the legibility.
The 2019 edition of Elevate Festival is dedicated to exploring and debating one of the most important concepts of human society: Truth – and its many (un)secret siblings.
Radio Web MACBA dug up some unreleased fragments of the interview with Goodiepal that were not included the first time around.
In this podcast, Jean-Luc Nancy goes back to these and other questions addressed in the pages of “À l’écoute”, a book that is both controversial and often quoted in the broad field of contemporary sound and listening studies.
In this podcast Marina Gržinić talks about amnesia, aphasia, and seizure, about biopower and necropolitics, about borders and volumes, corpus and corpses, about deathscapes, intestines, and holograms, and about the disturbing miniaturisation of affect and empathy, as a process that runs parallel to technological acceleration.
In his work, Barrios reflects on the insurmountable aporias that arise in contemporary global capitalism, between the free market economy and democracy as a political and legal system.
Artists Bolka and Rosa Menkman talk about creating virtual worlds and perform at NEXT 2018 | Advanced Music Festival.
Gosheven performed during NEXT 2018 | Advanced Music Festival in Bratislava.
Yi Joun Kang performed during NEXT 2018 | Advanced Music Festival in Bratislava on the Pentacle 15.3 Surround Sound System.
An interview with Hugo Esquinca who performed during NEXT 2018 | Advanced Music Festival in Bratislava on the Pentacle 15.3 Surround Sound System.
Fedde ten Berge performed during NEXT 2018 | Advanced Music Festival in Bratislava on the Pentacle 15.3 Surround Sound System.
The afternoon brings together artists, researchers and archivists to think about how histories and narratives are circulated, recorded and archived, and how the power structures that maintain this circulation could be interrupted for other voices to enter.
The Belgian producer Ssaliva demonstrated the audiovisual performance Greenery, which utilizes a generative video projection from a database of author photographs with nature motifs.
In this guide, Spektrum describe how they built up a community structure, how communities were formed, how they developed and which issues were faced.
Jodi Dean talks about vocabularies & theory as a weapon, school shootings, and companies taking the role of legislators.
The following interview began as a series of questions to Thaemlitz and Rassel by Eva Rowson, Curator of Landmark at Bergen Kunsthall, and developed as the transcript for their radio show “Hospitality, Secrecy and Other Useless Movements”.
In this podcast, Goodiepal plays a borrowed Casiotone VL-1 VL-Tone as he talks about art’s failure to have real impact, the best place to hide stuff, contracts and hacks, creativity in sheer survival strategies, climate refugees and more.
Ràdio Web MACBA dug up some unreleased fragments of the interview with Maia Urstad that were not included the first time around. In this podcast, Maia Urstad talks about nostalgia, time pips, AM-radio, FM and DAB, and more.
A4 hosts Slovak pianist, musician and programmer Fero Kiraly for an experimental digital music workshop.
John Chantler shares aspects of his work and performance during his interview with A4.
Potential Wor(l)ds is a new project by artists Aliyah Hussain and Anna Bunting-Branch
This is a podcast about objects, in particular about theories that have recently brought us new perspectives on objects from contemporary art and theory.
In the podcast Jodi Dean talks about communism as a still-latent project, about the Party as a scalable global form, about dystopian municipalism, anamorphic ecologies, and liberal democracies, about Not An Alternative and Liberate Tate as examples of sustainable activism practices at museums, and many other things.
Radio Web MACBA digs up some unreleased fragments of the interview with Jennifer Lucy Allan that were unable to be included the first time around.
In this podcast Jennifer Lucy Allan talks about foghorns, meteorology and aurality, about volumes, distance and communities, about sounds disconnected from their function, holes in YouTube, amateur archivists and holes in official archives.
Ràdio Web MACBA dug up some unreleased fragments of the interview with Nina Power that were not included the first time around.
An interview with Czech artist Kateřina Zochová who hold a children’s workshop ‘And then the silence’
In this podcast, Nina Power shares her thoughts on the ideological power of language, on systems of state violence, surveillance and control, and on the need to reverse the savage logic of neoliberalism through strategies such as commoning and her own notion of “decapitalism”.
How can we achieve gender justice and liberation? This question is discussed by Elevate’s speakers and the audience of this panel discussion.
At the Elevate Festival 2018, the guests ask questions: what does this right mean for journalists who need to take great risks to spread information, and for those who prefer to be hidden? What does it take to engage in fearless journalism? And when does journalism become activism while staying true to the facts?
Activists Raul Zelik, Andrea Kretschmann, Martin Balluch, Tamara Ehs, Brigitte Kratzwald talk about the repression they experience in their day-to-day work and experts talk about the tightening of laws that accompany the heightened anti-terrorism measures, while discussing possible strategies for dealing with anti-democratic currents.
‘SYSTEM ERROR’ is a series of photographs depicting five whistleblowers who sacrificed their safety and reputations for the sake of exposing systematic malpractice in governments and corporations. The project was presented at Elevate Festival 2018.
At a time when fake news and filter bubbles dominate our perception of the world, Walshe makes a case for historical re-imaginings, parallel histories, and alternative narratives as ways to make people visible and work toward a more inclusive future.
Through a network of activities, patten seeks to explore the envisioning of a positive, non-dystopic collective future by asking: how do we make it to 3049?
UK duo patten talks about their work “3049”, “unpacking processes of artistic knowledge”, and more.
Somewhere between presentation and performance, Sam Rolfes, wearing a motion-capture suit, sketches the outlines and contorted intersections of VR directorial story-play and combines them with expressionist 3D puppetry.
This presentation comes from a speculative reality five years from now, told in the experiential world of Patternist, an augmented reality demo game for urban research, alternative economies, and sci-fi visions.
Jennifer Walshe talks about how research feeds into art, our perception of time, fictional rethinking of musical history, and more.
In the research lab that is established for this occasion, Rick Dolphijn and Sonic Acts Academy explore how art comes to matter – how it occupies, intervenes in, or deterritorialises objects, resisting the realities of the present.
Solveig Suess talks about her research on the Silk Road, particularly its infrastructural aspects, neoliberalism, and more.
Lorenzo Pezzani shares aspects of the “Logistical Nightmares” programme and the applicability of research beyond the academic context for intervention in the “real” world, and more.
Susan Schuppli introduces Sonic Acts Academy’s challenge of ‘unpacking the processes of artistic knowledge’.
Logistical Nightmares is a yearlong programme of events, workshops, pedagogical experiments, and field investigations.
Charmaine Chua examines the irrational rationalities of obsessions with monstrosity in the logistics industry.
The planetary-scale ambitions of the New Silk Road are drawing new geometries across vast regions between China and Europe. Mapping these constellations through footage, interviews, field recordings, and found WeChat videos, this lecture-performance features excerpts from Solveig Suess’s recent documentary AAA Cargo.
Vertical is a 30-minute live performance that manifests the failure of unstable arrangements.
From 23 to 25 February, Sonic Acts took up residence in Amsterdam-Noord for the second edition of Sonic Acts Academy – a new platform geared towards unpacking the processes of artistic knowledge.
Mario de Vega and Victor Mazón Gardoqui talk about their works, cooperation and involvement at the Sonic Acts Academy.
Nora Sternfeld’s lecture follows curatorial and artistic strategies of knowledge production as exploration, investigation, imagination, and/or reflection.
A4 interviews Aïsha Devi after her performance in Bratislava.
Within the framework of Re-Imagine Europe A4 commissioned Jano Doe and Adéla Kudlová to create an audiovisual performance with the Číslizvuk-syntheziser.
A4 commissioned perennial star of international electronic scene Fennesz to create a new audiovisual performance.
An interview with composer and performer Morton Subotnick who made a collaborative performance with video artist Lillevan ta NEXT Festival 2017.
A4 presents a 5-part online course on working with modular synthesizers in the VCV Rack programme with Ondřej Spiritz.